Colin Black: brief history


"… amongst the most significant Australian creative artists of his generation, a composer/sound artist who has created a significant body of important work in a relatively short time, work which spans installation, sound art, fìlm, radiophonic works, and beyond, with many of these works having gained international attention."

  1. - John Davis, CEO Australian Music Centre

  2. 25 February 2011


Internationally acclaimed composer/sound artist Colin Black won the prestigious Prix Italia Award (2003) in the category Best “Music Radio - Composed Work” for composing and producing his major work The Ears Outside My Listening Room.  BBC Radio 3 described this work as "a haunting evocation of Australia", while the Prix Italia Award’s International Jury Report concluded that it, "... lived up to the claim … that here was a patchwork sonic quilt that can be passed down the generations."


In 2009 Black was commissioned by Deutschlandradio Kultur's Klangkunst to create a feature length radio art work from field recordings made in East Germany entitled Kilian's Antipodean Dream, which as a result of achieving final selection round status in the 2010 Prix Phonurgia Nova was scheduled for broadcast as part of the Semaine De La Creation Sonore (Week of Sound Creation) festival in France. Prior to this in 2008 Black was invited by Czech Radio’s rAdioCUSTICA program to create Soundprints: The Prague Pressings for broadcast and CD release. Black's sound installation Alien In The Landscape: The Extended Enviro-Guitar (XEG) was selected for the Australasian Computer Music Conference 2008 which was held at the Sydney Conservatorium of Music (Australia). In 2007 Black composed and produced a major musical/soundart hybrid work entitled Longing, Love & Loss for performance and broadcast on the Australian Broadcasting Corporation network. He also created the Butter Churn sound sculpture installation for the Wilsons River Experience Walk in Lismore's Heritage Park. While in 2006 Black was commissioned by Deutschlandradio Kultur's Klangkunst program to create a major radio art work entitled Alien In The Landscape.

 

In previous years Black was commissioned by the Australian Broadcasting Corporation to co-produce & compose two major audio/musical works with a Greek theme for their Olympic programming. Black’s sound installations include the Parramatta Heritage Centre’s Parramatta: People & Place exhibition and for the NORPA 2004 production of The Flood Black created a dynamic multi-site soundscape and the Starcourt Theatre Space sound installation “Floodscape”. A finalist in the Australian National Digital Arts Awards ‘98, his experimental composition 118, 120 122 was exhibited at Brisbane’s Institute of Modern Art. Black's works have also been selected for performance at events including En Red O 2000 music festival Barcelona Spain, the Festival Synthese Bourges France, Rencontres Musiques Nouvelles, Lunel France, 60x60 Pacific Basin Regional Concert Los Angeles USA, Zèppelin 2004-Festival de Arte Sonoro Barcelona, Spain, Hipersonica 2004 in Sao Paulo, Brazil, The Literature Sound Barrier 2002 in Wien, Austria, Sydney University's Live Wires concerts '97, '98, and Melbourne's Extatic Concert for the Next Wave festival '98.


Black is currently a PhD Candidate at the University of Sydney and a recipient of the University of Sydney Postgraduate Awards (UPA) Scholarship. He is also a graduate of the UNE Contemporary Music Degree and was awarded an Honorary Graduate Diploma of Musical Directing and Composing for TV from the Australian Film, Television and Radio School (AFTRS).  He has presented research papers at the 2005 Vital Signs conference (RMIT University’s, School of Creative Media, Melbourne), 4th International Mobile Music Workshop (Amsterdam 2007), Sounding Out 4 – An International Symposium on Sound in the Media, (University of Sunderland, UK 2008) and the 4th Media Art Scoping Study Symposium (Melbourne 2009). Black has also been invited to talk about radio art and his work on London's Resonance 104.4FM, at the Sibelius Academy in Helsinki, Technische Universität Berlin, University of Sydney and the Victoria University of Wellington.


Black’s work has been selected for broadcast and podcast on stations including Deutschlandradio Kultur, the BBC, YLE Radio, Sweden’s Sveriges Radio as well as many other European stations and in South Africa, New Zealand and numerous times across Australia.

 

brief history

Name: Colin Black


International Awards:

  1. 2011 Prix Phonurgia Nova, Final Round Selection

  2. 2010 Prix Phonurgia Nova, Final Round Selection

  3. 2003 Prix Italia Award, Best Music Radio ­ Composed Work


National Awards:

  1. 2000 Australian Guild Screen Composers Screen Music Awards (Nomination for Best Music for a Station ID or Promo)

  2. 1998 National Digital Arts Awards finalist

  3. 1996 NCEIA Award - Best Experimental Song

  4. 1996 NCEIA Award Nominee for Best Instrumental Song

  5. 1995 NCEIA Award Nominee for Best Rock Song

  6. 1994 NCEIA Award - Best Instrumental Song


Fellowships:

  1. 2002 ABC Radio, New Media 

  Arts, Artist in Residence



Publications (Written):

  1. “An Overview of Spatialised Broadcasting Experiments With a Focus on Radio Art  Practices,” Organised Sound, Volume 15 No. 3, 2010

  2. “Radio Art Sound-Composition: Exploring A Dualistic Binaural Sonic Interplay,” 2009 Totally Huge New Music Festival Conference, October 30 - 31, Perth, Australia

  3. “Radio Art: An Acoustic Media Art Form,” 4th Media Art Scoping Study Symposium, 4th July 2009, Melbourne.

  4. “Radio Art: Broadcast or Outcast,” Music Forum. Journal of the Music Council of Australia, Vol. 15 No. 2, FEBRUARY - APRIL 2009. ISSN 1327-9300.

  5. “Alien In The Landscape: Distillation and Filtration of Soundscapes”, Sounding Out 4 – An International Symposium on Sound in the Media, 4th - 6th September 2008, University of Sunderland, UK

  6. “Is Anyone Listening”, RealTime issue #84 April-May 2008, Published by Open City Inc http://www.realtimearts.net/

  7. article/84/8967

  8. “The Extended Enviro-Guitar (XEG): A Mobile Acoustic Profiling Resonating Filter”, 4th International Mobile Music Workshop, Amsterdam 2007.

  9. “Radio Art: The age of the ‘Bunker’ Artist, Digging in Deeper, Spreading Thinner ...” published by RMIT Publishing, 2005. See http://search.informit.com.au/

  10. documentSummary;

  11. dn=031172368128134;

  12. res=E-LIBRARY

  13. “Oh Dear ABC”, Limelight, January 2004, Published by ArtsDiary Pty Ltd, p. 8



Links to Colin Black

  1. Sydney Morning Herald www.smh.com.au/articles/

  2. 2003/09/21/1064082865444.html

  3. ?from=storyrhs

  4. State of the Arts www.stateart.com.au/sota/news/

  5. default.asp?fid=2268

  6. DeutschlandRadio Kultur www.dradio.de/dkultur/

  7. sendungen/klangkunst/590676/

  8. Swedish Radio http://

  9. sverigesradio.se/sida/artikel.aspx?

  10. programid=2098&artikel=1973213 Czech Radio’s rAdioCUSTICA

  11. http://www.rozhlas.cz/radiocustica/

  12. projekt/_zprava/490227

  13. ABC Radio classic/amp site

  14. http://www.abc.net.au/classic/australianmusic/stories/s1523799.htm

  15. RealTime magazine review

  16. http://www.realtimearts.net/article/

  17. 52/6955

  18. ORF, Kunstradio, (Austria)

  19. http://www.kunstradio.at/2009B/

  20. 26_07_09en.html

  21. Loop Magazine Interview

  22. http://rougemedia.com.au/

  23. loop_mag_07/loop5/

  24. colin_black.htm

What They Say About Colin Black’s Work




"Black is an expert composer … works of high technical quality and profound cultural engagement.”

- Dr Ros Bandt, February 2013



“A haunting evocation of Australia”

- BBC Radio 3, UK 11th June 2004




"… a unanimous choice as the winner in this category."


"It created a mood and sustained it throughout, with the speech and music adding up to something distinctly more than the sum of their parts."


"...lived up to the claim … that here was a patchwork sonic quilt that can be passed down the generations."

- Prix Italia Award’s International Jury Report, Italy, 2003




"… amongst the most significant Australian creative artists of his generation, a composer/sound artist who has created a significant body of important work in a relatively short time, work which spans installation, sound art, fìlm, radiophonic works, and beyond, with many of these works having gained international attention."

  1. - John Davis, CEO Australian Music Centre

  2. 25 February 2011




“ ... absolutely beautiful work, very moving work ... “

- Julian Day, New Music Up Late,

ABC Classic FM, Australia, 24/5/08




"It is the human themes and Black's clever composition that bind the stories and music together.”

- State of the Arts, “Arts News,” Australia, 1st December 2003




"Voices are burned into my auditory memory rendering them unforgettable"


"... a comprehensive work made of suggestion, mood and voiceprint character studies that gives a tangible, inclusive and unselfconscious impression of Australian-ness and its many voices. "


"... both a celebratory and a melancholic work about the fragility of existence ."

- Gail Priest, Arts/Music Journalist, RealTime magazine, No.52

Australia, December 02/January 03




“The jury of the Prix Italia was right to give you the award. … The way to "think" music as a composition done out of language, noise and instrumental arrangements works perfectly”

- Andreas Hagelüken, RBB-Internationale Radiokunst

Berlin/Freiburg, Germany




“... fantastic production valve ... experimental and highly entertaining at the same time.”    “... great piece of radio-art!”

- Erik Mikael Karlsson, EBU Ars Acustica Coordinator,

Editor and Presenter for Swedish Radio P2





"... I feel this is a deep emotion what I´ve been listening to - which has been structured by impressions, but it´s not kind of narration - for me it goes far deeper toward a complex set of emotional polyphony, multilingual story which goes across traditional radio expressions"

  1. - Dr. Michal Rataj, Executive Producer, rAdioCUSTICA,

  2. Czech Radio , 17th June 2008




“... uses all conceivable means of expression that are presently available in the world of acoustic arts. He lets people’s authentic utterances to be heard only to dissolve them in a sound bath and to let them resonate in special repercussions and atmospheres.”

  1. - ORF (Austrian Public Radio), Kunstradio website,

  2. (accessed 13 July 2009)




“… it’s very much about memory.”


“This convergence of recordings as an audio documentary and at the same time a carrier of music and sonic experimentation … really explores this dual potential for recording.”

- David Toop, Author of Ocean of Sound, UK

- 11th June 2004,




“…wonderful program, high artistic level of which impressed all editors of our Music Department. … We use it as an educational aid and example of outstanding professionalism and creative seekings.”

- Valery Krutouz, 16th April 2004

International Relations Dept

National Radio Company of Ukraine





“Colin has an out standing record as a creator of unique radiophonic compositions and has a well earned international reputation which benefits Australian culture as well as reflect his individual achievement. This follows the awarding of the prestigious Prix ltalia for Music in 2003 for The Ears Outside My Listening Room, and he has built a sustained practice and body of work. ”

- Robyn Ravlich

Executive Producer Music Unit  

ABC Radio National

18th November 2008